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Genius Prints - Canvas Printing - Photos on Canvas - Printing to Canvas
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About Genius Printing - Canvas Printings Specialists

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Posts Tagged ‘poly cotton canvas’

Independent Colour Testing

Wednesday, October 7th, 2009

As the canvas printing industry grows it becomes critical that you find a supplier that is using the best materials available, so you get the best canvas print.

The only way that you can be sure that the canvas being used by your supplier is best quality is independent colour testing. There are only a small number of laboratories worldwide that are considered an authority on colour reproduction, longevity, fading etc. The most highly regarded of these is Wilhelm Imaging Research.

Rigorous testing is done on the permanence of inks, make-up of the canvas or paper and their reactions in dry, dark, light, humid and protected conditions. The results are then published so anyone can access them. It is vitally important that the lab be an independent body and recognised as such. Otherwise there is no way to guarantee the results of the testing.

If the canvas is an unknown brand or it hasn’t been independently fade-tested, then how can you know any good? Canvases of unknown brand, origin or construction may be prone to fading over time or even yellowing over time.

Genius Printing offer the Canson Infinity canvas and paper range. The canvas has been tested to over 100 years of colour lasting.

Canvas Tension

Tuesday, September 1st, 2009

There is a way that many businesses try to cut their costs for canvas prints, many skip properly stretching the canvas. No one talks about it on their sites, but canvas tension is very important.

When you receive your canvas prints they should be very tight, there should be no visible slacking. This means that when they sit on the wall they will look nice, consistent and even. If they aren’t tight then they will sag, and believe me… You’ll notice. Many seek to cut their costs by simply folding the canvas over the frame and stapling it down. This just doesn’t cut it if you want a good quality end product. The canvas should be properly stretched using canvas pliers (and preferably by someone with the proper training!), this is the only way to get the best tension on the canvas print.

When you receive your canvas and pull it out of the packaging it should be taut like a drum, if on the other hand you can see it sagging against the frame then you should call the company and ask them why they choose not to properly make their canvas prints.

This may sound a bit harsh, but we strongly believe that if you’re going to offer a fine art product like canvas prints, then you should do everything possible to make it the best it can be. After all if you put your favourite photos on canvas and hung it up in your house wouldn’t you want it to be the best it could be?

Why Laminate?

Thursday, July 9th, 2009

Many people ask why you should laminate canvas prints. Laminating or UV protection is a method used to protect canvas and other substrates which increases the longevity of the print.

Lamination protects the canvas print from physical damage (scratches and liquid), humidity and most importantly from UV damage. It also enriches the colours and contrast of a print. An example of just how well UV protection works is this.

If we were to print a photo on canvas using our Artist Poly/Cotton then leave it unlaminated and exposed to light globes and UV light the image would last 56 years before there is colour fading and shift. This is very impressive! But if we laminate it this figure more than doubles, to up to 120 years. Results are similar for the entire Canson range.

Some canvas printers out there don’t laminate, some even recommend against it! This is either because they are misinformed or they don’t want to incur the added expense and effort that is required to laminate canvases.

Even if you’re not particularly worried about your canvas lasting 50 years or 120 years, you should be worried about physical damage and humidity, especially if you live in the tropics! Without lamination canvas can be prone to having mould or fungus form on it.

So if a canvas print isn’t laminated then it’s just not worth buying.

Poly Cotton vs. 100% Cotton

Friday, July 3rd, 2009

If you’re researching canvas printing one question that constantly pops up is whether you should use 100% Cotton canvas or Poly/Cotton canvas.

Nearly everyone you’ll come across will say they use a 100% cotton canvas and claim that it’s better than a blend. This isn’t exactly true. A high quality 100% cotton canvas is better than a cheap poly cotton blend (like those imported from China by many major retail stores). But the reverse is also true, a high quality poly cotton blend is better than a low quality 100% cotton. So don’t be fooled! The question to ask is not about cotton or polyester, it’s about independent fade testing, OBA’s, weight and the brand.

Because of a misdirected demand for 100% cotton canvas some canvas printers will SAY they use 100% cotton, but ACTUALLY use a poly/cotton blend! You might get a brilliant print, but it’s not fair to advertise one thing and sell another.

Genius Printing uses the Canson Infinity range of canvases, offering a poly/cotton blend and a 100% cotton because once you use the world’s best brand of canvas, then what it really comes down to is an aesthetic preference.

The Canson canvases are independently fade tested, completely OBA (Optical Brightening Agent) free and manufactured using world’s best practices.

Canson Artist, Archival Poly / Cotton:
The canvas will not yellow, crack or curl and is an ideal choice for a variety of applications including portraiture, fine art photography and demanding giclée requirements. It has a gesso base in it that helps to almost completely eliminate cracking when stretched. It has a smooth, more uniform weave than 100% cotton. It is best suited to photographic images.

Canson Museum, Archival 100% Cotton:
This premium, OBA-free archival canvas is the optimal choice for a variety of giclée applications for artists who demand modern technical excellence in concert with the texture, feel and body that only an all-cotton canvas can deliver. It looks more ‘authentic’ or ‘traditional’ than poly / cotton. This is characterized by a rougher and less uniform weave. It is best suited to artistic and illustrative reproductions. It works especially well when reproducing paintings.

The most important factors when choosing a canvas type to produce your important images on are independent fade testing and the absence of OBA’s. If a canvas isn’t independently fade tested then there is no guarantee of the colour lasting. If it contains OBA’s then the canvas will eventually begin to yellow and discolour. The Canson Infinity range has been independently fade tested to last up to 120 years without fading.

You should also look for a good heavy canvas, as this will make it more dimensionally stable. This means that it can be stretched to greater tensions without warping or ripping, and it also means that over the decades it will be much less likely to sag and lose its tension. Some canvas is barely thicker than the paper in your home printer! The poly cotton used by Genius is a hefty 390gsm and the 100% cotton a huge 440gsm.

Finally, check out if the company you’re researching is advertising the brand of canvas they use. If they’re not, then they most likely are using a cheap import.

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